Here is what the press has to say about
"Back to Boogaloo"

John Conquest - 3rd Coast Music

"...(Y)ou can see why the Tampa/St Pete media are all over Pulley. They don’t have to cut her any hometown slack, her folk-rock album would be outstanding wherever it came from. Pulley has a wonderful voice... and if she has terrific musicians, particularly Ryan Arsenault piano/B3 and Sandi Grecco drums, any flake in Austin can hire first rate musos. What makes this album so special is Pulley and guitarist Steve Connelly’s quite extraordinarily intelligent and musically astute production that maximizes all its ingredients. Thousands of decisions, some really major, most individually quite minor, go into making an album and it’s asking a lot for anyone to get all of them right... but if Pulley and Connelly zigged when they should have zagged, it must have been on a positively microscopic level. Immensely enjoyable, and a master class in DIY. "

 

Wade Tatangelo - Creative Loafing

"St. Pete singer/songwriter Rebekah Pulley has been penning fine tunes and releasing solid records for some time now, but none quite touch the smart, catchy, folk-rock excellence of this latest full-length, Back to Boogaloo. The melodies are breezy, but the lyrics never swoon into cliché. The singer's voice is assured and full, but also vulnerable at times. Pulley's ace backing band, The Reluctant Prophets, along with co-producer/multi-instrumentalist Steve Connelly, augment her acoustic guitar creations with spot-on backing, ranging from Dobro to synth. The likes of Sheryl Crow should blush at a collection of songs this inspiring and entertaining. "

 

Sean Daly - The St. Petersburg Times
"The local singer-songwriter has one of those voices that sears into your brain and finds emotional trigger points you never knew existed (or at least were hiding). She's pretty intense, she's also pretty good."

 

Curtis Ross - Tampa Tribune
“Rebekah Pulley leaves her comfort zone, or maybe just finds a new one, on “Back to Boogaloo,” adding touches of gospel soul and classic rock to her tried-and-true alt-country. Ryan Arsenaut’s keyboards add new colors but as always, it’s her taut, evocative songs and seductive voice that take the spotlight.”